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9: Using Overlays . . . . . . . . . . . . . . 10: Overlaying Statistical Data . . . . . . . 11: Building a Community Site . . . . . . . 12: The Realtors and Archaeologists Toolkit 13: I Need to Get To.... . . . . . . . . . . . 14: Merging with Flickr Photos . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 145 181 207 227 251 279

0 0 1 2 3 4 5 6 20.7364 (2) 20.1819 (1) 20.8503 (1) 20.9676 (1) 21.5144 (2) 20.8171 (1)

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reating a clipping path in Photoshop is simple after you get the hang of the process. (See the Photoshop Bible series [Wiley Publishing] for more on creating clipping paths in Photoshop.) A path is essentially a selection, which you can create with any of the Photoshop selection tools, including tracing your own selection to hand-drawing a path. After you make the selection, here s how you make a path: 1. Open the Paths panel by choosing Window Paths. 2. Using the panel s flyout menu, choose Make Work Path. You re asked to choose a Tolerance setting in pixels the smaller the number, the finer the path s shape. 3. Click OK to accept your setting. A work path appears in the Paths panel, showing in white the area contained by the path. 4. Convert the work path into a named path by double-clicking the work path in the panel or by choosing Save Path in the flyout menu. 5. Give the path a name and then click OK. 6. Choose Clipping Path from the flyout menu. You re asked to choose which path to use as a clipping path (you can have multiple clipping paths in a Photoshop file); next, choose a Flatness setting. As with the Tolerance setting, the smaller the number of pixels, the finer the path s contours. 7. Click OK.

Because these materials are so readily available, I don t repeat their content in this book, reserving the space instead for usage recommendations and examples. I recommend that you download the PDF reference and refer to it as a supplement to this book.

4.3 ELECTRICALLY SMALL SURFACES 4.3.1 Introduction In this section, methods for the analysis of electrically small surfaces are discussed. We will start by discussing the modal solution and also give some explicit results that are easy to apply for certain canonical surfaces. If more advanced shapes are of interest, other methods, often numerical methods, are more suitable, but they require more effort of the user. A difficulty with many of the methods presented in this section is that they become numerically intractable as the dimensions increase. As already indicated, there is no exact boundary between electrically large and small surfaces. A radius of curvature of up to five wavelengths can often be analyzed by, for example, a modal solution method, but this depends on the available time for computations and available memory. One interesting approach is to use a hybrid method by which the attractive features of different methods are combined. 4.3.2 Modal Solutions

usual to classify semileptonic weak reactions according to what happens in the hadronic part of the transition. For example,

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You can remove actions from the transition by selecting them and clicking the trashcan icon at the bottom of the panel.

CHAPTER 7 Platonic Holography This typically varies from 5 to 50. We can express this reference wave in the form

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