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Here s how to reduce some of the artifacts left over in the Milkshake acapella extracted from the full song and the instrumental. Load the wav file from that example now if it is not already loaded, and then follow these steps: 1. Select just under the first two seconds of the file. This is the almost silent part before the acapella starts. It contains the noise you want to eliminate without any vocals. 2. Press Alt+N to capture the noise reduction profile. 3. Select Effects Restoration Noise Reduction, enter the settings as shown in Figure 10-20, and click OK. The noisy artifacts have been reduced without significant degradation to sound quality. Keep this wav file open or save it, because it will be further processed later in this chapter.

BitMaskClear( number, start, length)

BitMaskRead()

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systems forming an electron transfer chain located in the internal membrane of the mitochondrion. They include the system of the oxidized and reduced forms of nicotinamide adenine dinucleotide (NAD + /NADH), several flavoprotein systems, especially FMN (flavinmononucleotide), Fe-S proteins (where the iron ions are bound in a complex with inorganic sulphide, cystein and a protein), coenzyme Q (ubiquinone) and several cytochromes. These redox systems are bound to phospholipids and other molecules in several integrated systems depending on their redox potential (see Table 6.2). The redox potentials of these systems, measured in solution, can be quite different from the potentials in the mitochondrial membrane. The sequence of the redox components in this electron transfer permits the oxidation of the carbonaceous substrates to occur 'vectorially', i.e. the chemical change is oriented in space. The theory of the accumulation of the Gibbs energy of oxidation of carbonaceous substrates in the form of the bond of the phosphate ion to

BitMaskRead( number, start, length)

BitMaskSet()

Returns an integer containing number bitwise masked with mask for length bits starting at position start.

Table 6.2 Apparent formal redox potentials of systems present in the electrontransfer chain (pH = 7). It should be noted that the potential values were obtained in the homogeneous phase. Due to stabilization in a membrane, the oxidationreduction properties vary so that the data listed below are of orientation character only Oxidized form Cytochrome a3 (ox) Cytochrome c (ox) Cytochrome b (ox) Coenzyme Q Flavinadenindinucleotide (FAD) Fumarate Nicotinamide adenindinucleotide (NAD+) Reduced form

Because vocals occur in the middle range of frequencies, EQ is a valuable part of isolating them. A low-pass and a high-pass filter are built right into the Center Channel Extractor, to eliminate sounds that are outside of the range of the vocal. If you use a phase cancellation technique to isolate your vocals instead, you will probably want to follow that up with some EQing to at least filter out the bass (see Figure 10-21).

BitMaskSet( number, mask, start, length)

BitNot()

'(pH = 7)(V)

BitNot( number)

BitOr()

BitOr( number1, number2)

If you are making a mashup in ACID Pro, you can just EQ it there. The basic idea is to remove frequencies below 100 150 Hz. You can increase the rolloff for a more dramatic effect. ( 12 provides a more complete explanation of ACID Pro s EQ.)

0.8 0.5

BitSHLN()

Returns an integer containing the bits of number shifted left count positions, with any bits shifted out of range discarded rather than rotated to the tail end of the bitstream.

0.22 0.07 0.10 -0.03 -0.03 -0.32

BitSHLN( number, count)

BitSHRN()

If you ve ever adjusted the treble or bass on your home stereo, you ve already performed a rudimentary form of EQ. A slightly more advanced form of EQ for the home user is the graphic EQ, a frequently-seen hardware component in hi-fi systems that has a bank of around 5 to 15 sliders, each controlling the volume of a different frequency band. Both of these types of EQ may enhance the experience for the home user, but they lack the precision of a professional EQ. The frequencies that each knob or slider affects are fixed, and although you can precisely affect the levels, you cannot affect the exact frequency or how other nearby frequencies are affected. An overall goal of EQ is to spread out the tone of the final mix through the frequency spectrum. EQ not only irons out any irregularities in the sound, but it also purposely creates irregularities that increase the track s compatibility with the rest of the mix. The levels of the various frequency components are reduced, each track making room for the other, with the net result being a very full sound. But paradoxically, in order to create the full sound, sometimes the individual components need to be thinned. It s not as important how each track sounds on its own as how it sounds in combination with the other tracks.

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