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property to Install Application, so you have what I have in Figure 13-8.

upper-right curve).

Using EnvValueQuery() in export.py, you can look for other specific types of data. If you examine Tip

7. Click the check box again to see that the custom ease settings are still intact. Preview the tween

Grid, as I am doing in Figure 13-9.

So far, we ve shown you a hefty animation toolbox. We ve opened it up and pulled out a number of powerful tools to show you how they work. In doing so, we ve covered quite a bit of ground, but there are still a handful of useful animation features and general workflow practices to help bring it all together. Let s roll up our sleeves, then, shall we

the Javadoc for the com.bea.wli.sb.util.EnvValueTypes class, you will see a long list of data types you can search everything in OSB from e-mail alert destinations to Work Managers is searchable.

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Whether you use shape, classic, or motion tweens, the Timeline panel gives you a pint-sized but important dashboard (see Figure 7-36). Don t let its small size fool you. This strip along the bottom of the timeline helps you quickly find your bearings, gives you at-a-glance detail on where you are, and even lets you time travel into both the past and the future, to see where you ve been and where you re going.

InstallContainer, so that your Objects and Timeline panel looks like what I have in Figure 13-10.

Figure 7-36. The bottom edge of the timeline provides a collection of useful tools. Let s take an inventory of this useful, if small, real estate. Center Frame: In timelines that are long enough to scroll, this button centers the timeline on the playhead. Onion Skin and Onion Skin Outlines: These buttons toggle two different kinds of onion skinning, which give you a view of your work as a series of stills. Edit Multiple Frames: This button allows you to select more than one keyframe at the same time, in order to edit many frames in one swoop. Modify Onion Markers: Click this button to see a drop-down menu that controls the functionality of the onion skin buttons. Current Frame: This indicates the current location of the playhead. Scrub or enter a value to move the playhead to that frame. Frame Rate: This indicates the movie s frame rate. Scrub or enter a value to change it. Elapsed Time: Given the current frame and the movie s frame rate, this indicates the duration in seconds of the playhead s position. For example, in a movie with a frame rate of 24 fps, this area will say 1.0s at frame 24. Scrub or enter a value to move the playhead to the frame that closely matches your specified elapsed time.

Traditional animators those wonderful people who brought us Mickey Mouse and Bugs Bunny often drew the motion of their characters on very thin paper over illuminated surfaces called light boxes. This paper, called onion skin, allowed the artist to see through the current drawing to what had occurred in the previous drawings or frames. In this way, animators could control the motion of someone s head or the speed and shape of the anvil about to land on a coyote s head. Flash offers you this same capability with a lot more flexibility than flipping through sheets of paper. In Flash, you can choose to see through as many frames as you want, moving backward and forward looking at solids or outlines. Let s take a look at how you do this:

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