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Software patterns can exist at any scale and for many problem areas. In their early days the mid 1990s the focus was on object-oriented design patterns of general applicability. The Gang-of-Four book [GoF95] presents the most widely-known patterns of this kind. The scope of these patterns, however, had only a small impact on

Practice your technique. Action photography requires a skill set that is different than that of a portrait photographer. Be prepared to shoot a lot of images. After you get comfortable with the type of event you re shooting, you ll learn to anticipate where the action will be and anticipate the peaks. Experiment with different shutter speeds. Sometimes slowing down the shutter speed and using the on-board ash can freeze the action and result in unique, one-of-a-kind images. Don t stop shooting. There are great moments to be captured after the play is over, and the photographer who keeps looking and shooting will get those shots. Stay focused on the participants for that emotional response after the play that can sum up the whole game in one shot. As Yogi Berra used to say, It ain t over till it s over!

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entire software or system architectures, because they covered how to structure specific components, or how to organize their relationships and interactions. This gap was first filled by the POSA team [POSA1] who were the first to present patterns at the level of coarse-grained software architecture. Other authors completed the pattern space to the bottom, the level of programming. For example, James O. Coplien commonly known as Cope published patterns that deal with C++-specific issues like memory management and string handling [Cop92], and Kent Beck wrote his famous patterns book Smalltalk Best Practices [Bec97]. Yet all these patterns, although covering different scopes, were general in nature: general architecture, general design, and general programming. The first patterns that had a more specific focus were Martin Fowler s analysis patterns [Fow97]. Not only did Martin introduce another level of scope to patterns patterns that describe the fundamental structure of, and workflow within, an application domain his patterns focused on two specific areas: health care and corporate finance. Since then patterns have spread into many other specific areas, ranging from concurrent and networked systems and programming [Lea99] [POSA2], server components [VSW02], human computer interaction [Bor01], memory constraint systems [NW01], resource management [POSA3], and others [Ris00]. Recently, security was identified as another area of hot interest for patterns, and this book is intended to serve this need.

A valid question to ask is What is the target audience for patterns. There are many answers to this question, depending on who you ask, but all leading pattern experts share a common view: patterns are for, and about, humans. This statement is also consistent with Christopher Alexander s the architect, in the sense of buildings, not software, who invented patterns understanding of patterns [Ale79]. The correctness of this position becomes obvious when reflecting on the previous sections of this chapter. All the properties of patterns that we have discussed so far are aimed at presenting problems and their solutions in a way that humans can understand: when such problems arise, what the problems are, what to consider when resolving them, how they can be resolved, how their solutions are implemented, and why these solutions are as they are. Much effort is also expended in presenting patterns in an appealing, dialog-initiating, and story-telling in other words, human-readable form. Humans are also the only audience for patterns. We discovered that it is next to impossible to formalize patterns, a necessary precondition to making patterns machine-readable and automatable. Thus the audience for patterns does not include computers or any other type of machine, nor the many software development tools that run on such computers or machines.

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