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What s John s rhyme scheme Enjoy Flash for the useful tool it is, but pile up most of your eggs in that basket called your brain Here s what he had to say:.

I have been asked to write up some tips about how to creatively use Flash. I guess my best advice is to lean on it as little as possible, to not use it as a creative crutch. Flash isn t inherently a creative tool. It s not like a pencil or a brush or talent.

in Figure 14-6.

Alternatively, you can use the Transport SDK to support a specialized protocol over one of the existing transports Examples of this include the following: Messages consisting of parsed or binary XML over HTTP Support for new web service standards over HTTP Request-response messaging over JMS, but with a different response pattern than supported by the OSB JMS transport One of the prime reasons for using the Transport SDK is to support a specialized transport a company already employs for communication among its internal applications Such a transport might have its own concept of setup handshake, header fields, metadata, or transport-level security You can create an implementation of the transport for use with OSB that allows configuring individual endpoints inbound, outbound, or both You can map the metadata and header fields nicely to context variables available in a proxy service pipeline.

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I use it mainly as an exposure sheet to quickly test my drawings and animation to see if they work. Your best Flash tool is your drawing skill. You will always creatively be limited by your ability to make interesting drawings and movement. I see many animators using Flash mainly for its in-betweens, or t weens as they are now called. This little tool makes every movement look smooth. But if you want to compete against the best animators, whether in Flash or in traditional animation, you will be competing with drawings, acting, and real motion [see the following illustration]. Real motion has nonmathematical in-betweening. Every in-between looks different and conveys information that mere tweening can t. Tweening just moves the same drawing from one place to another, and it s completely obvious when you watch most Flash cartoons that you are watching tricks, not animation.

Since I started using Flash back in caveman times, I ve been trying to find ways to make it not look like Flash, to try to undermine all its computery tricks. I ve tried different approaches. It s hard for me to draw my key poses directly on the computer, so I usually draw them in pencil and scan them in. Once they are in, I time them in the timeline to musical beats. When I m satisfied with the rough timing, I then draw breakdown poses directly on a Cintiq

WebcamRectangle, as I have done in Figure 14-7.

(www.wacom.com/cintiq/ ) in the timeline. I constantly roll across the animation to see if the motion is smooth. If I m animating to a dialogue track, I draw the mouth positions in Flash and, again, roll back and forth to see if the animation is working.

Creating a new OSB transport using the Transport SDK can be a significant effort The Transport SDK provides a rich, full-featured environment, so that a custom transport has all the usefulness and capabilities of the transports that come natively with OSB But such richness brings complexity For certain cases, you should consider easier alternatives If you need the extension merely to support a different type of message format sent or received over an existing protocol, it might be possible to use the existing transport and use a Java Callout action to convert the message For example, suppose you have a specialized binary format (for example, ASN1 or a serialized Java object) being sent over the standard JMS protocol An alternative to consider is to define the service using the standard JMS transport with the service type as a messaging service with binary input and output messages.

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