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from PCM at 48 kHz and up to 24 bits The data rate is from 64 to 1536 kbps, with 768 or 1536 kbps being the typical rates for 51-channel audio The 768 kbps rates results in a compression ratio of 6:1 (83 percent) from 51 channels of 48/16 PCM The 1536 kbps rate results in a compression ratio of 3:1 (67 percent) from 51 channels of 48/16 PCM DTS supports up to 4096 kbps variable data rate for lossless compression, but DVD does not allow this DVD also does not allow sampling rates other than 48 kHz (see Table 632) Channel combinations are (front/surround): 1/0, 2/0, 3/0, 2/1, 2/2, 3/2, and 3/3 The LFE channel is optional with all seven combinations A rear center channel is supported in two ways: (1) a Dolby Surround EX matrixed channel that is compatible with existing decoders (DTS-ES Matrix 61) or (2) a discrete seventh channel (DTS-ES Discrete 61) DTS also has a 71-channel mode (DTS-ES Discrete 71, with 8 discrete channels), but it is not used commonly The 7-channel and 8-channel modes work with existing DTS decoders but require a new decoder to take advantage of all channels The DVD standard includes an audio stream format reserved for DTS, but many older players ignore it and are thus unable to recognize and output the DTS stream These players play only the Dolby Digital or PCM stream that is mandatory on all discs, including DTS discs The encoding system used on DVDs (DTS Coherent Acoustics, a psychoacoustic transform coder) is different from the one used in theaters (Audio Processing Technology s apt-X, an ADPCM coder) All DVD players

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The code is [VA01] Select your newly created order document type, as in Figure 2-34 In this example, we are following the standard sales document types OR (English for document type TA)

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use strict; use MD5; print 'Please enter your password: '; my $passwd = <STDIN>; chomp $passwd; my $md5 = new MD5; $md5->add($passwd); my $digest = $md5->digest(); print("Result is ", unpack("H*", $digest), "\n");

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You can enter your sales area in this previous front screen I personally like to leave this frontend without a sales area and, after entering the sold-to party, have a selection screen to select the sales area I am working from (This is only advisable if you have not restricted your sales document to a specific sales area and if your sold-to party is created for more than one sales area) SAP Version 2 with the standard GUI standard sales order front-end has an appearance similar to Figure 2-35 SAP Version 3 standard GUI sales front-end has a similar appearance to Figure 2-36 We will be working with SAP version 40B, which has an almost completely revolutionized sales order front-end with the standard GUI Utilizing page tabs to facilitate ease of use, the 40B version is shown in Figure 2-37

PC The term PC means personal computer If a distinction is needed as to the specific type of hardware or operating system, brand names such as Windows, Mac OS, and Linux are added Aspect Ratios This book usually normalizes aspect ratios to a denominator of 1, with the 1 omitted most of the time For example, the aspect ratio 16:9, which is equivalent to 178:1, is represented simply as 178 Normalized ratios such as 133, 178, and 185 are easier to compare than unreduced ratios such as 4:3 and 16:9 Note also that the ratio symbol (:) is used to indicate a relationship between width and height rather than the dimension symbol ( ), which implies a size Widescreen When the term widescreen is used in this book, it generally means an aspect ratio of 178 (16:9) The term widescreen as traditionally applied to movies has meant anything wider than the standard 133 (4:3) television aspect ratio, from 15 to 27 But since the 178 ratio has been chosen for DVD, digital television, and widescreen TVs, it has become the commonly implied ratio of the term widescreen DVD Format Names The term DVD is often applied both to the DVD family as a whole and specifically to the DVD-Video format This book follows the same convention for simplicity and readability but only when unambiguous When a clear distinction is needed, the book uses the terms DVD-Video (or DVD-V), DVD-Audio (or DVD-A), and writable DVD for the various record-once (DVD-R) and rewritable formats (DVD-RAM, DVD-RW, DVD+RW) The abbreviations DVD-R(G) and DVD-R(A) are used to distinguish DVD-R for General from DVD-R for Authoring Television Systems There are basically two mutually incompatible television recording systems in common use around the world Each is supported by corresponding digital encoding formats used by DVD One system uses 525 lines scanned at 60 fields per second with NTSC color encoding and is used primarily in Japan and North America The other system uses 625 lines scanned at 50 fields per second with PAL or SECAM color encoding and is used in most of the rest of the world This book generally uses the technically correct terms of 525/60 (simplified from 525/5994) and 625/50 but also uses the terms NTSC and PAL in the generic sense Colorspaces DVD uses the standard ITU-R BT601 (formerly CCIR 601) component digital video colorspace of 4:2:0 Y CbCr nonlinear luma and.

Here is an example of executing this program:

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