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frame2 layers to fit the image, as shown in Figure 3-12. Even though each photo has its own width, the same symbol can now be used to neatly frame these different dimensions.

xmlHttp.send("Hello Server");

Figure 3-12. 9-slice scaling allows us to put a frame around the olive seller. Now that you have seen how 9-slice scaling works, how it is applied, and how to use it, don t get lulled into thinking it is especially easy to use. That is a real danger with books of this sort, where everything appears rosy, wonderful, and trouble-free. In many cases, it is. In this one, it isn t. When we started working on olive seller s picture frame, things started blowing up. The corner images started distorting when they shouldn t have. This caused us to halt the process and really dig into this

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The following script sets this up in a reasonable fashion by restricting access with a timeout value that will kill the root window after a preset amount of time. The code assumes a user who has the profile code described earlier set up, so that .xauth and .xdisp files are created. First the code checks the number of parameters passed to the script. If the count is not one, some information about the script and its usage is echoed out.

particular feature. The next section gives you the unrosy, it ain t all that wonderful and easy to use rundown regarding what we discovered about 9-slice scaling. Thankfully, our pointers should help you steer clear of the mines.

You need to know that there are a handful of interesting gotchas involved with 9-slice scaling. The first concerns the area in the middle of the 9-slice grid, which scales across both the horizontal and the vertical axes. If you have content in the center area of the grid (area 5), such as a gradient or image, it will distort if the scaling is uneven. Take a look for yourself. Open the 9Slice2.swf file, and drag out a corner. Notice how the flower distorts. This is because the frame and the flower are both in the area 5 slice (see Figure 3-13). Depending on your needs, this makes 9-slice symbols useful only as background borders, layered behind content that simply must not be distorted. In the Olives.fla file, the photos are on layers of their own.

#!/bin/sh if [ $# -ne 1 ] then echo "This script will send a root window to a user's display who is using" echo "ssh to access the environment" echo echo "Usage: $0 {username}" exit 1 fi

Figure 3-13. The center area of a symbol containing 9-slice scaling scales on two axes. The area in the middle will distort. The second involves maintaining the integrity of any drawings or objects used in the corners. Shapes, drawing objects, primitives, or graphic symbols can be used. Movie clips or rotated graphic symbols, such as the graphic symbol of the olive originally destined for the frame s corners, can t be used. That would be easy enough to remember, but an interesting quirk rears its head with graphic symbols: if you use graphic symbols that are rotated, they will not display correctly as specially scaled 9-slice elements in the Flash interface. Rest assured, they work just fine in the SWF you just can t see that they re working until you test your movie. If this annoys you, bear in mind that Flash 8 didn t show 9-slice scaling in the authoring environment at all, so this is an improvement!

The setRequestHeader method takes two parameters: a string for the header and a string for the value. It sets the specified HTTP header value with the supplied string.

You can see what we are talking about in Figures 3-13 and 3-14. Instead of the drawing of the olive, it was placed into a graphic symbol, which was then rotated to meet the design. When we applied the 9-slice scaling to the movie clip, the result was Figure 3-14. The boxes and olives looked like something had gone horribly wrong.

Figure 3-14. Rotating a simple graphic symbol can cause issues. When the movie was tested in Flash Player, as shown in Figure 3-15, everything looked normal.

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