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The Automation options (Automation Read, Automation Write, and Automation Off) determine whether or not Premiere will record the adjustments you make in the Audio Mixer window. To have Premiere record the adjustments, choose Automation Write. Use Automation Read when you want the settings of the Audio Mixer to be read during playback. Use Automation Off when you want the default settings for a sound clip.

It doesn t take long to see that this original image isn t proportional to the aspect ratio of a 5 7 print. The aspect ratio is the mathematical relationship between the image s height and width dimensions. For example, a 16 20 and an 8 10 are both a 4 5 aspect ratio. The dimensions of the 16 20 are exactly four times as big as the 4 5, while the 8 10 is twice as big. One solution to this is to reposition the cropping selection lower so that we include all of the girl and exclude empty space at the top, as shown in the second image in Figure 11.18. When you press Enter, you ll get a 5 7 that looks like the third image in Figure 11.18. This solution worked here, but sometimes you either can t or don t want to crop any of the original image. When that happens, you can still make a 5 7 print of the entire image by fitting all of it onto a 5 7-inch canvas.

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group of keys, which is located to the right of the alphabetic keys, has two smaller groups: the cursor control keys and the cursor command keys.

Strategy without tactics is the slowest route to victory. Tactics without strategy is the noise before defeat. Sun Tzu

Next let us use the notion of norm to define the convergence and limit of a sequence:

7. From the My Widgets screen, select the newly-added widget. 8. Choose the configuration from the Developer Preset list that most closely resembles the configuration you desire. 9. Click Configure. 10.

where h (k) = [ hi j (k)]M M . Substituting the above representation into (11.66) and (11.67), we get the following learning rule for ah , ah = (k) f T (y(k)) C (k) , ah (h = 1, 2, . . . , M ). (11.70)

Contrast this flexible approach with the alternative. To achieve the same effect without using masks, you d have to erase parts of the Plants and Church layers with the Eraser tool, and accept that you couldn t change those edits thereafter. To keep these two layers within the bounds of the Box shape layer, you d have to select the pixels within the layer by Ctrl+clicking ( +clicking on the Mac) the vector mask for that layer, invert the selection, then use that selection to delete the areas of the Church and Plants layers that fall outside the boundaries of the shape. At that point, your composition would be fixed; you d have no way of experimenting with it. If you decide you don t like the effect after a couple of days, you re back to square one. Not good. Once again, these nondestructive approaches give you much more flexibility with a design, allow you to experiment with ideas, and save you time when reworking those ideas.

Creating a form is a multistep process. The next step is to make sure that your controls are properly sized and moved to their correct positions. The Arrange tab (under Form Design Tools) of the Ribbon shown in Figure 35-18 contains commands used to assist you in manipulating controls.

Selects tags with specified attributes. You can select tags if they either contain the attribute (p[align]) or if they contain an attribute set to a specific value (p[align= left ]).

(7.146) which can be different from A if A has a further dependence on averages such as 2). For evaluating the Poisson and friction matrices, we now have two options. Either we calculate the matrix entries directly for the independent variables of interest, or we calculate the Poisson and friction matrices for some simpler moments, say the averages of m, p , and p p , and afterward obtain these matrices for the variables of interest by means of the transformation formulas of Section 1.2.4. In the following two exercises, we develop some auxiliary results required for the more direct first option, which allows us to calculate each matrix element of the Poisson and friction matrices individually.

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